INTHE_ 一周年｜06.02「Dasein 存在」联展即将开幕

何处与何时，自然而然。

Dasein - [存在在那里]

Everything is natural,  wherever and whenever.

Dasein - [Being there]

INTHE_ 一周年之际，再次携手Dose Art ，将于2023年6月02日至2023年7月20日推出艺术家联展「Dasein 存在」。用最放松的姿态感受和聆听物质的随机波动，一切存在都是自然而然，我们的相遇也是，谢谢你这一年的陪伴！

6月2日（周五）「Dasein 存在」联展开幕，策展人将于下午2点以及下午4点展开两场现场导览，同时邀请参展艺术家许帅现场创作分享，感兴趣的朋友请不要错过！

通过视觉和听觉，我们以波动的形式感知世界。视觉通过光的波动，听觉则依赖声音的波动。视觉艺术和音乐之间存在联系，因为它们都依赖于这种共同的波动性质。INTHE_x DOSE 再次合作，「Dasein 存在」展览通过艺术家Lynn Aldrich，Carl Berg，Martin Durazo，Tim Ebner，Katy Ann Gilmore，Soo Kim，Augusta Wood 和Shuai Xu 的平面及装置作品，探讨视觉艺术和声光之间共通的波动性。通过感官交叉推动艺术表达边界，在感受者的心灵深处引发共鸣，带动产出无尽的想象力和情感。

Through sight and hearing, we perceive the world in the form of fluctuations. Sight through the fluctuation of light and hearing relies on the fluctuation of sound. There is a connection between visual art and music because they both rely on this shared fluctuating nature. INTHE_x DOSE collaborates again with the exhibition "Dasein", through graphic and installation works by artists Lynn Aldrich, Carl Berg, Martin Durazo, Tim Ebner, Katy Ann Gilmore, Soo Kim, Augusta Wood, and Shuai Xu. The shared volatility between visual art and sound and light. By pushing the boundaries of artistic expression through the intersection of the senses, the works resonate in the hearts and minds of those who experience them, driving the output of endless imagination and emotion.

在20世纪60年代和70年代，南加州兴起了一场重要的视觉艺术运动，被称为“光与空间运动（Light and Space Movement）”。其着重点在于将光和空间结合起来，探索光线、光谱和反射对观者感官的影响。通过将观众置于光谱环境中，使其沉浸在感官体验中，探索了创造这种体验的可能性。艺术家受到启发，将光线、色彩与自然元素如水、石头和木材相结合，创造出超越视觉的体验。

In the 1960s and 1970s, an important visual arts movement emerged in Southern California, known as the 'Light and Space Movement.' It focused on the integration of light and space, exploring the effects of light, spectrum, and reflection on the viewer's senses. By immersing the viewer in a spectral environment and engaging them in a sensory experience, the movement explored the possibilities of creating such experiences. Inspired by this, artists combined light and color with natural elements such as water, stone, and wood to create transcendent experiences that go beyond the visual.

对交叉感知的探索不断深入，超越了传统的概念框架。将光、色彩、空间和声音相结合，这种艺术形式的出现也为人们创造了更多感知和情感上探索的机会。音乐和视觉都是非语言的艺术形式，这种艺术形式的存在意味着艺术需要被主动感受，而是一种主动参与和探索的过程。音乐的节奏、和声和动态性与绘画的线条、形状和色彩之间无疑是共通的。此次展览中，我们还融入了波与空间结构的思想，进一步丰富了这段对话。当不同感官的元素交织时，观众与作品直接的联系被建立，这超越了言语和概念的限制。由此，光的波动及身边之人，声的波动萦绕其间，开始理解自我的处境，自我与他者的界限。

The exploration of cross-perception continues to deepen beyond the traditional conceptual framework. Combining light, color, space and sound, the emergence of this art form also creates opportunities for more perceptual and emotional exploration. Both music and visuals are non-verbal art forms, and the existence of this art form means that art needs to be actively felt, but rather an active process of engagement and exploration. There is certainly a commonality between the rhythms, harmonies and dynamics of music and the lines, shapes and colors of painting. In this exhibition, we have also incorporated the idea of waves and spatial structure to further enrich this dialogue. As elements of different senses intertwine, a direct connection between the viewer and the work is established, which transcends the limits of words and concepts. As a result, the fluctuation of light and the people around them, the fluctuation of sound lingers and the situation of the self, the boundary between self and other, begins to be understood.

Lynn Aldrich

林恩·奥尔德里奇

现生活和工作于洛杉矶

Lives and works in Los Angeles

林恩·奥尔德里奇（Lynn Aldrich）曾获得古根海姆奖，她的作品被收藏于洛杉矶艺术博物馆LACMA，当代艺术博物馆MOCA，纽约公共图书馆等大型机构和博物馆中，而她的艺术世界不仅限于此。在时间和空间中，在每一个生命里，在世界上每一件事物对于她都是神秘而奇怪的，由此她通过创作，合理的概念化我们看起来的世界。

奥尔德里奇的创作方式受到极简主义的影响，她减少物件本身的属性，简单直接的带着谦虚或幽默，讽刺或类比的方式在作品中体现她对于环境的关注，和启发性的描述。她挑战着观看者的通常逻辑，通过叠放，重置，累积，无处不在的日常物品，来建立光与水，恒星行星的相互关联，在关联与挑战的体验中引发对于实体世界与本体论维系的相关问题。

她的作品围绕着所有宗教和艺术活动的核心悖论“超欲望（hyper-desire）”展开，试图以现实主义为基础，将浪漫主义与自然科学的经验主义相融其中。同时对于浪漫主义和精神追求保持着渴望，以此寻求新的启示和真正本源的超然性。

Being here in time and space, in a body, in the world, is both quite ordinary and strangely mysterious. Aldrich’s art begins  with making conceptualizations about this condition of being and looking out at the world. She makes forms that seem appropriate, in varied scale, with some low tech manipulation  such as painting. But she doesn’t alter materials so much as attempt to reveal, through accumulation, repetition, or placement, the metaphors inherent in their actuality. References to phenomena such as water, light, stars and planets, flora and fauna are jammed up with the pervasive, sometimes deadening influences of contemporary life. The work is designed to quietly challenge the viewer’s expectations, while raising questions about physicality and ontological moorings.

Living in Los Angeles, a sprawl of glamorous banality, is an advantage to being aware of changes occurring in our global society. L.A. hangs tenuously on the edge of a continent, a metropolis symbolic around the world for a mythological urge toward paradise. The fair weather landscape abounds in Eden-inspired gardens, yet people desire escape from real time and space through the powerful distractions of entertainment, addiction, speed, and computer technology. Excess, spectacle, and artificiality stifle any journey toward a deeper ground of being.

Her artworks attempt to be grounded in Realism or what is actually present, influenced by the empiricism of the natural sciences. But remain open to the Romanticism of a spiritual or sacred longing for revelation and authentic transcendence, what would call ‘hyper-desire’. This is the profound paradox at the core of all true religion and artistic activity. 

Rose Ghost, 2015

Tulle, Plastic

72 x 72 x 7 inches

玫瑰魂，2015

纱， 塑料

180 x 180 x 25 cm

Carl Berg

卡尔·伯格

现生活和工作于洛杉矶

Lives and works in Los Angeles

卡尔•伯格 (Carl Berg) 的艺术作品介质包含了多种不同的媒体，包括绘画、雕塑、摄影、视频和数字印刷。在最近的意大利之行中，他创作了一系列新的拼贴画。卡尔•伯格 (Carl Berg) 的艺术作品介质包含了多种不同的媒体，包括绘画、雕塑、摄影、视频和数字印刷。伯格曾在当地（主要在洛杉机） 和国际上展出，包括在鹿特丹的弗兰克塔尔、阿姆斯特丹的艺术事务、柏林的柏林艺术项目和洛杉矶的POST展览，2016年他在托伦斯艺术博物馆举办了他的第一次个人博物馆展览。

Carl Berg is a Los Angeles-based artist, curator, and gallery director who also spends time in Europe, mainly in Italy and the Netherlands. Berg works in a variety of media, including painting, sculpture, photography, video, and digital prints. During a recent trip to Italy, he created a new series of collage paintings.

Berg has exhibited both locally (mainly in Los Angeles) and internationally, including exhibitions at Frank Taal in Rotterdam, Art Affairs in Amsterdam, Berlin Art Projects in Berlin, and POST in Los Angeles. He had his first solo museum exhibition at the Torrance Art Museum in California in 2016.

JIMI HENDRIX，Are You Experienced, 2023

UV-Print on aluminium alloy

31.5 x 31.5 cm

吉米-亨德里克斯体验乐队，你有经验吗，2023

航空铝板uv印刷

31.5 x 31.5 cm

BOB DYLAN,  blood on the tracks, 2023

UV-Print on aluminium alloy

31.5 x 31.5 cm

鲍勃迪伦，血之辙，2023

航空铝板uv印刷

31.5 x 31.5 cm

Martin Durazo

马丁·杜拉佐

现生活和工作于洛杉矶

Lives and works in Los Angeles

马丁•杜拉佐（Mattin Durazo）将抽象表现主义的视觉活力与涂鸦写作、重金属音乐和狂欢等创意亚文化的当代视角相融合。他使用刮刀和镘刀代替画笔，在作品中结合大面积的茨光颜料和金属漆，以及充满活力的痕迹。他的作品回应城市街道、广告牌和俱乐部宣传页的形态，将企业广告和DIY海报进行分层和混合。他的作品标题生动而丰富，例如《Hot Pants》（2012）和《Live Wite》（2014），强调了他从亚文化中获得的灵感：“在跳动的低音和闪烁的频闪灯打断一夜之后留下的短暂记忆。”他的作品还被选中在洛杉矶机场LAX的艺术项目中展示，呈现出洛杉矶的城市印象。

杜拉佐拥有加州大学洛杉矶分校的美术硕士学位和皮泽学院的英语和艺术学士学位。他曾获得2012年C.O.L.A.洛杉矶市个人艺术家奖学金和2011年加州社区基金会奖学金，并得到盖蒂信托基金的资助支持他的艺术事业。他的作品曾入选2011年首届SUR双年展，2010年成为圣莫尼卡第18街艺术中心的常驻艺术家。他的作品在托伦斯艺术博物馆、PUISE洛杉矶当代艺术博览会、波莫纳学院艺术博物馆、2013年墨西卡利双年展、拉文大学哈里斯美术馆、纽约市的白盒子、柏林艺术论坛和迈阿密海滩巴塞尔艺术展等展出。他的作品评论文章多次发表在国际艺术流、洛杉矶时报、纽约时报、洛杉矶周刊、艺术周刊和艺术评论等媒体上。此外，他还是KPPK Radio的制作人，经常参与有关艺术和社会话题的讨论。

Martin Durazo fuses the visual dynamism of Abstract Expressionism with a contemporary perspective inspired by the creative subcultures of graffiti writing, heavy metal music, and raves. By combining swathes of fluorescent and metallic paint with wide, energetic strokes achieved by using squeegees and trowels instead of paintbrushes, Durazo’s palimpsests reference urban streets, billboards, and clubs layered with a high-low mix of corporate advertisements and DIY posters. Vivid titles for works, like Hot Pants (2012) and Live Wire (2014), emphasize his subcultural inspirations: the fleeting memories that remain after a night punctuated by throbbing bass and flashing strobe lights.

Martin Durazo received his Master of Fine Arts from the University of California, Los Angeles, and a Bachelor of Arts degree in English and Art from Pitzer College. Durazo is the recipient of the 2012 C.O.L.A. Individual Artists Fellowship from the City of Los Angeles and a 2011 California Community Foundation Fellowship Award, funded by the Getty Trust. His work was included in the inaugural 2011 SUR Biennial and in 2010 he was an Artist-in-Residence at the 18th Street Arts Center in Santa Monica. He has exhibited at the Torrance Art Museum; PULSE Los Angeles Contemporary Art Fair; Pomona College Museum of Art; MexiCali Biennial 2013; Harris Art Gallery at the University of LaVerne; White Box in New York City; ArtForum Berlin and Art Basel Miami Beach. His work has been reviewed in Flash Art International, the Los Angeles Times, The New York Times, LA Weekly, Artweek, and Art Review. He has also been a producer for KPFK Radio, where he is regularly featured in discussion about art and social issues.

Trance, 2014

Acrylic on Canvas

24 x 18 inches

恍惚，2014

布面丙烯

61 x 45.7 cm

Trance II, 2014

Acrylic on Canvas

24 x 18 inches

恍惚 II，2014

布面丙烯

61 x 45.7 cm

Tim Ebner

蒂姆·艾伯纳

现生活和工作于洛杉矶

Lives and works in Los Angeles

蒂姆·埃伯纳 (Tim Ebner)的绘画作品在1980年后期获得了显著的成功，受到国际关注。随后延展创作不同媒介的绘画和雕塑作品。在最新系列的作品里，埃伯纳结合了早期对于极简主义的兴趣，结合新材料在他创作里的应用，从而有了更广泛的作品表达空间。

早期作品中，埃伯纳在绘画作品中体现悲喜小丑和拟人化动物，本能与社会化之间存在的痛苦和冲突。新系列中钢板的运用，在埃伯纳的冲击敲打之下形成新的状态，作品在不同的形态之下被赋予色彩和不同的触感。埃伯纳在持续的30多年的创作里，再次拓展出作品新的表达方式，同时带着个人对于人与社会不同物体物质之间的理解。

埃伯纳在西海岸艺术界广受尊重，他曾在CalArts, Otis College of Art and Design, Occidental College, Claremont College, UCLA, Art Center College of Art & Design任教。自1982年以来，埃伯纳的作品持续出现在各类大型展览之中，其中包括，纽约-新博物馆The New Museum，细约当代艺术博物馆MOCA，NY。利斯特视觉艺术中心，旧金山现代艺术博物馆MOMA，SF。麻省理工MIT。洛杉矶艺术博物馆LACMA，波士顿美术馆等。

The geometric Finish-Fetish inspired pieces of the late 80s for which Ebner received international attention, gave way to subsequent bodies of representational painting and sculpture and later forays into painterly abstraction. The artist’s newest work combines the formal concision of his earlier interest in Minimalism with the material-rigor of craft to produce sculptural paintings in an expanded field. 

Tim Ebner attended the California College of Arts and Crafts and received a BFA and an MFA from the California Institute of the Arts in 1982. He has taught at CalArts, Otis College of Art and Design, Occidental College, Claremont College, UCLA, Art Center College of Art & Design, and is currently a professor at California State University, Los Angeles. 

Ebner’s work has appeared in exhibitions since 1982, and has been shown in several National institutions including, the New Museum, NY, Museum of Contemporary Art, LA, San Francisco Museum of Modern Art, List Visual Art Center, MIT, Institute of Contemporary Art, Boston and Museum of Fine Art, and Los Angeles County Museum of Art. The artist lives in Los Angeles. 

Untitled, 2021

Steel

12.5 x 11.5 inches

无题，2021

钢材

31 x 27 cm

Katy Ann Gilmore

凯蒂·安·吉尔摩

现生活和工作于洛杉矶

Lives and works in Los Angeles

凯蒂·安·吉尔摩 (Katy Ann Gilmore）拥有学术数学教育背景，通过绘画以独立的视角诠释了艺术与数学跨学科的关联，使其作品带有独特美感和创造力，同时融合了强烈的逻辑感，控制力。作品广受硅谷大型科技公司喜爱，被收藏于脸书 (Facebook)，优步 (Uber)总部，谷歌 (Google）总部，同时步入时尚行业，与范思 (VANS)，爱马仕(HERMES）达成合作。

吉尔摩拒绝直接将数学体系架构于艺术表达之上，她对于不同学科体系的交融保持开放态度。吉尔摩通过对于空间与规律的探索，对自然及人为的整个世界保持着强烈的好奇心。在她特有的创作逻辑体系里通过丙烯酸墨水笔在特定地点或材料上进行创作，从视觉上揭示超出空间本源的感知世界。视错觉只是她作品中一部分的表象体验，观看者的大脑对于视觉体系和物理空间感知过程被作品影响，在数学体系与艺术表达的碰撞中产生更大的启发潜力。

Katy Ann Gilmore is a visual artist living and working in Los Angeles. She brings a unique interdisciplinary approach to her practice, drawing on her past academic work in both art and mathematics. Strategic, controlled, and logical, her aesthetic and creativity is structured by this methodological reliance on mathematical ways of working.

Refusing the exclusionary paradigm that posits art and math at unequivocal odds, Gilmore prefers to remain open to the productive intersection of disciplines. Her interest in structures, both spatial and disciplinary, reveal a fundamental curiosity about the world at large, both natural and humanly contrived. Though based in hand drawing, her works often use mathematical formulae, graphs, or equations to get to the desired end result. It is through this application of systems that something larger about the nature of perception and experience is revealed through her compositions.

Gilmore's interest in the structure of space also extends into three-dimensional media. In addition to her completion of several high profile mural commissions for corporate clients like Facebook, Uber, and Vans, she has created sculptural installations from a myriad of unlikely materials including fabric and textile, rubber cord, and steel ball chains, among other things. Inspired by the intricate systems that allow the human brain to experience and perceive physicality through the synthesis of visual cues, Gilmore creates works that challenge our sense of place to reveal the endless potential of discovery and sight.

Stack on Paper 7, 2020

Acrylic on paper

7.1 x 6.2 inches

堆积 7，2020

丙烯，卡纸

18 x 16 cm

Cropprd Forms with Interior Lines 7, 2021

Acrylic on paper

4.7 x 8 inches

内线形状裁切 7，2021

丙烯，卡纸

12 x 20.5 cm

Cropprd Forms with Interior Lines 1, 2022

Acrylic on paper

7.1 x 5 inches

内线形状裁切 1，2022

丙烯，卡纸

18 x 12.6 cm

Stack on Paper 14, 2021

Acrylic on paper

7.1 x 5.5 inches

堆积 14，2021

丙烯，卡纸

18 x 14 cm

Gold Fold 4, 2022

Acrylic on paper

8.6 x 17inches

金色折叠 4，2022

丙烯，卡纸

22 x 43.5 cm

Fold 42，2019

Acrylic and flashe on dibond

7.5 x 4 inches

折叠 42，2019

丙烯和福莱希颜料，铝复合板

36 x 19.2 cm

More 

Soo Kim

金秀

现生活和工作于洛杉矶

Lives and works in Los Angeles

金秀（Soo Kim）出生于韩国，于1980年移居美国洛杉矶，并担任奥蒂斯艺术与设计学院的教授。她的摄影作品被收藏于多个艺术机构，包括盖蒂中心（The Getty Museum）、洛杉矶艺术博物馆LACMA、圣地亚哥摄影博物馆和北卡罗来纳艺术博物馆等。

金秀的部分作品充满了浓厚的文学氛围，例如《两天内的一周》（A Week Inside Two Days，2005）和《他们停下来看着天空》（They Stop Looking at the Sky，2006）。她的创作过程涉及大量的裁切和分层，通过引入缺失感和中断感来在视觉上营造效果。图像的轮廓和裁切边缘在空间中创造了独特的语境。一些以建筑为主题的摄影作品挑战了视觉的基本逻辑，通过分层和裁切建立了更为复杂的图像网络。金秀经常在作品的背面使用不同的色彩，背光透过裁切的网格，在看似随机的变化中唤起观者对作品中时间和地点的主观观点。这种结构和画面的复合体验支撑着她作品中新的几何秩序。

Artist Soo Kim often employs techniques of cutting and layering in order to introduce areas of absence or disruption in what we tend to take for granted--the interpretation of photographic images. Kim believes that the lengthy process required to create her photographs infuses them with a “slowness” that finds its counterpart in the amount of time it takes the viewer to comprehend them. Her work often incorporates narrative elements or makes reference to literature. 

Born in South Korea, Kim moved to Los Angeles in 1980. After earning a bachelor of arts degree from the University of California, Riverside, she combined studies in critical writing, art, and film at the California Institute of the Arts in Valencia for her master of fine arts. Kim lives in Los Angeles and teaches at Otis College of Art and Design. 

Kim’s work has been the subject of solo exhibitions at Angles Gallery, Los Angeles; Sandroni Rey Gallery, Los Angeles; Julie Saul Gallery, New York; The Pasadena Museum of California Art; and the Pomona College Museum of Art. Her work has been included in exhibitions at the Getty Center, Los Angeles; The 2002 Gwangju Biennale, Korea; Weatherspoon Art Museum, North Carolina; the Orange County Museum of Art, Newport Beach; Architecture and Design Museum, Los Angeles; Art Sonje, Korea; Islip Art Museum, New York; the Museum of Photographic Arts, San Diego; Susan Hobbs Gallery, Toronto; Frances Lehman Loeb Art Center at Vassar College, New York; Seoul Museum of Art, Korea; and the Honolulu Museum of Art. 

Kim’s work is in the public collections of The J. Paul Getty Museum, The Broad Foundation, The Albright-Knox Art Gallery, the Los Angeles County Museum of Art, Museum of Photographic Arts, San Diego, North Carolina Museum of Art, and The Escalette Collection of Art, Chapman University. 

Time slows down, 2021

Two Archival Pigment Prints, Unique

52 x 72 cm (Framed)

时间减速，2021

艺术微喷，独版

52 x 72 cm(装裱尺寸)

Augusta wood

奥古斯塔·伍德

现生活和工作于洛杉矶

Lives and works in Los Angeles

奥古斯塔• 伍德 (Augusta wood）的摄影作品融于表演、时间、情景和地点，并以此为方式去通过光影绘制探索建筑，记忆，绘画和摄影空间的关系。伍德目前在洛杉矶生活和工作。她来自大波士顿地区，一个充满着艺术氛围的家庭，她的祖父是一 位医生，同时也是一位收藏家，收藏有安迪•沃霍尔，亚历山大•考尔德，弗兰西斯•培根等大师作品。后来被出售的弗兰西斯•培根作品《谈话中的乔治•戴尔》也曾出现在奥古斯塔•伍德的摄影作品中。在艺术氛围浓郁的环境下，伍德家成长出了两位优秀的艺术家奥古斯塔•伍德(Augusta wood）和她的哥哥，著名画家乔纳斯•伍德 (Jonas Wood)。

2005年 奥古斯塔•伍德移居至洛杉矶，并在CalArts获得了MFA(艺术硕士学位）。由于她对于影像与空间独特的理解和创作。她的个展出现在不同的美术馆和画廊，其中包括 DENK 画廊， Cherry and Martin, Angeles画廊。同时也展于洛杉矶艺术博物馆LACMA，托伦斯艺术博物馆 Torrance Art Museum (Torrance, CA)， 乔治•伊斯曼博物馆The George Eastman Museum (New York), 2010年选入休斯顿 Fotofest 2010 Biennial 双年展。《洛杉矶时报》，《现代画家》《赫芬顿邮报》，《Artillery杂志》，《 Art Lies Contemporary Art Quarterly当代艺术季刊》和《 Flaunt》 相继报道过伍德的作品。当代艺术博物馆The Museum of Contemporary Art, Los Angeles (MOCA)，洛杉矶艺术博物馆LACMA, 乔治•伊斯曼博物馆The George Eastman Museum 都拥有奥古斯塔•伍德的作品作为永久馆藏。

Interested in the inherent elisions that emerge from within the photograph as an innately apparitional and mnemonic record, Wood explores its recomposition, engaging the subjective nature of time and memory, in all its latency and perceptual instability, as intimate extensions of the self and its way of seeing. Wood has traced the edges of her daily life in film, shooting photographs of its interiors, exteriors, vantage points, and objects at different times of day and year, accumulating partial, though intimate, views of its contours. Capturing the shifts in atmosphere and light that both animate these circadian textures and stir the indeterminacy of their shadows, Wood confronts the passing of time as a uniquely fractured and digressive experience rather than a reliably quantifiable one.

Augusta Wood completed her MFA at California Institute of the Arts and her BFA at The Cooper Union for the Advancement of Science and Art, New York. She has had solo exhibitions in Los Angeles at DENK Gallery, Cherry and Martin, and Angles Gallery, and has been included in group exhibitions at The Los Angeles County Museum of Art (LACMA), The George Eastman Museum (Rochester, NY), The Torrance Art Museum (Torrance, CA), Zach Feuer Gallery (New York), and Anton Kern Gallery (New York), among others. Her work has been covered in publications including the Los Angeles Times, Modern Painters, Artillery Magazine, Flaunt, and The Huffington Post. Her photographic project I have only what I remember was published as a hardcover book in 2014. Wood is included in the permanent collections of The Museum of Contemporary Art, Los Angeles (MOCA), and The Los Angeles County Museum of Art (LACMA), and The George Eastman Museum.

Art Column, PP, RR, AC, JM and

(1993, 1995, 1995, 1999, 2008),2010

C-print

20 x 25.75 inches

50.8 x 65.4 cm

Shuai Xu

许帅

现生活和工作于洛杉矶

Lives and works in Los Angeles

许帅1995年于中国出生，目前居住在洛杉矶。他当前作品专注于无形世界，许多灵感来自于他的梦境。他对人类与宇宙的关系非常感兴趣，尤其关注个体与自然之间在地球上的相互作用。他希望能更深入地探索自己的内在世界，同时向外拓展，与社会以及更广阔的世界进行互动。

他希望通过作品让观众摆脱愤世嫉俗和蔑视，为他们创造沉思和反思的机会。他渴望开始理解，并邀请他人理解人类与自然、宇宙以及我们在宇宙中存在的意义之间的关系，简而言之，探索自我。作为一个大地艺术家，装置艺术家，画家，他的身份不受媒介的限制，在自我和无形世界的边缘。他的装置将现有实体世界分割，形成的空洞像思绪的漩涡，在形变的过程中拉扯自我的虚实。同样的探索过程体现在他的画作之中，明快或鲜亮的色彩里，形状起伏与画布，画布被其分割，或深入，画布如同一个水平面，而创作者和他的笔触，带着不真实的色彩空间在其间游移。

Born in China, 1995, currently living in Los Angeles. His current works focus on the invisible world, and much of his inspiration comes from his dreams. He is interested in humanity's relationship to the cosmos, particularly as it plays out here on Earth, in the relationship between individuals and nature. He hopes to explore his interior world more deeply while expanding outward, to engage society and beyond. 

He hopes that his works will move viewers away from cynicism and contempt, creating the opportunity to experience moments of contemplation and reflection. His desire is to begin to understand—and to invite others to understand—the relationship between human beings and nature, the universe, and the meaning of our existence in the universe—in short to an exploration of the self. 

'4C+37.11'，2023

Land art

‘4C+37.11’

大地艺术

'What is stardust' , 2018

Acrylic, Stainless steel

何物星尘，2018

亚克力，不锈钢

'HE0450-2958', 2023

80x80cm

Oil on canvas

'HE0450-2958' ，2023

布面油画

 About DOSE 

DOSE 是基于洛杉矶当代艺术圈，美国西海岸艺术家为主体，面对中国艺术爱好者的平台。

DOSE is a LA based art platform to enhance the art communication between American and China.

艺术家｜Artists

Lynn Aldrich, Carl Berg, Martin Durazo, Tim Ebner, Katy Ann Gilmore, Soo Kim, Augusta Wood, Shuai Xu

策展人｜Curators

沈兩晴、李丹笛

Shen Yuqing, Li Dandi

出品｜Produce

INTHE_

开幕｜Opening

2023.06.02 周五 14:00-18:00

14:00-18:00, Jun 2 (Friday), 2023

导览 | Guided Tour

I场 14:00-15:00，II 场 16:00-17:00

First 14:00 - 15:00, Second 16:00 - 17:00

策展人及艺术家许帅现场导览

Guided tour by curator and artist Xu Shuai

（需提前预约）

(Reservation required)

展期｜Dates

2023. 06.02 - 2023.07.20

Jun 2, 2023 - July 20, 2023

地址｜Address

INTHE_商店，西安市高新区锦业路12号迈科商业中心 A座 L1O1

INTHE_ SHOP, L101 Maike Center. 12 Jinve Fd. Xi an, China

扫码预约导览

Scan code to book a guided tour

免费入场，欢迎参观

Admission is free, welcome to visit